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Ed Fox


"In the early days I just wanted to be given a chance. I got rejected numerous times by the fashion and adult industries, photo reps, and advertising agencies. I have kept every rejection letter and every fan mail I have ever received. The Art Center College of Design and the rest of the people that tried to put me down really held me back. I felt like Rocky taking a pounding. I knew that the harder I got beat, the greater the reward would be—that there would be more of an impact when I would finally get up.

While studying at the Art Center I was told numerous times I was wasting my talent by creating erotic imagery. I followed my dream, and on my way up with my head down, ten years had passed. Comments on my photography went from “You are stunting yourself” to “You are in the beam of the light.” I used to be the little boy flipping anxiously through the pages of adult magazines, and now I’m the one making them—I still can’t believe it.

My fascination with the female form and appreciation for light is what inspired me to become a photographer. I create to satisfy the need to see a better image than the last, and there is ample gratification if at least one other person values my work. I would rather be famous than rich. The fans validate my vision and inspire me to create more.

The most tempting part of a woman’s body is her feet. Feet are a woman’s second body, one I can enjoy without her being offended or even aware. I began noticing painted toenails at the age of 14 and slowly fine-tuned the fetish into my life. Never would I have imaged that my “little secret” would attract so many people.

I originally wanted to become a photographer so I could shoot for Playboy. Since I realized that wasn’t going to happen, I started focusing more on the type of imagery I secretly desired to make. I believe now that I will ultimately be appreciated more by shooting what I really want and for being published by Taschen. I am so grateful for the chance they have given me. I saved myself for Taschen because I wanted my first and possibly only book to be the best it possibly could. It’s printed documentation that I exist—I have finally left my mark. I want to be remembered as an esthete who made a difference in the adult world."

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